{"id":197,"date":"2024-06-22T10:31:12","date_gmt":"2024-06-22T10:31:12","guid":{"rendered":"https:\/\/www.janemorrismuseum.com\/?page_id=197"},"modified":"2026-06-04T10:47:32","modified_gmt":"2026-06-04T10:47:32","slug":"publicity","status":"publish","type":"page","link":"https:\/\/www.janemorrismuseum.com\/index.php\/publicity\/","title":{"rendered":"Publicity"},"content":{"rendered":"\n
\n
\n
\n
\n
\"Photograph<\/figure>\n<\/div>\n\n\n\n
\n

Featured in the Pre-Raphaelite Society Review, Summer 2024 issue is my research into a photograph of Jane Morris by Herbert Watkins I’ve unearthed from the archives. Three different versions are published together for the first time, from the collections of the Victoria and Albert Museum, the William Morris Gallery and the National Portrait Gallery.<\/p>\n\n\n\n

Visit the Pre-Raphaelite Society<\/a> for your own back issue.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"Title<\/figure>\n<\/div>\n\n\n\n
\n

For the Pre-Raphaelite Society podcast<\/a> I was interviewed by Karl Merrick about my solo exhibition \u2018Looking for Janey\u2019 at Pulchri, my passion for Jane Morris and how I am contributing to her legacy with my artworks and research. 
The Spring issue of the PRS Review<\/a> 2024 featured an exhibition review.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n


<\/p>\n\n\n\n

\"Mattress<\/figure>\n<\/div>\n\n\n\n
\n

Interview with Walter van Teeffelen for the series ‘World Fine art Professionals and their Key-Pieces’<\/a> (June 2024).
Published in Dutch as ‘Margje Bijl in de ban van Jane Morris’<\/a> (April 2024).<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n
\n
\"Article<\/figure>\n<\/div>\n\n\n\n
\n

A preview of the upcoming solo exhibition \u2018Looking for Janey\u2019 written for Pulchri magazine, December 2023.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"Page<\/figure>\n<\/div>\n\n\n\n
\n

This article is conceived as a dialogue between curator Helena Cox and the contemporary Dutch artist Margje Bijl. Written for the special issue of the Pre-Raphaelite Society Review \u2018Pre-Raphaelite Women\u2019 edited by Dr Serena Trowbridge, Autumn 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"A<\/figure>\n<\/div>\n\n\n\n
\n

The assemblage ‘Love is Not Enough’ is included in the book ‘Anthotype Emulsions, Volume I, The collective research from photographers on World Anthotype Day 2022’<\/a> by Malin Fabbri.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"A<\/figure>\n<\/div>\n\n\n\n
\n

An introduction of the commissioned exhibition \u2018Jane Morris Museum\u2019 was co-written by curator Helena Cox and myself for the Pre-Raphaelite Society Review, Summer 2021.
<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"A<\/figure>\n<\/div>\n\n\n\n
\n

The drawing ‘Hair as in August 2018’ was nominated for the Van Ommeren de Voogt prize 2018. I was awarded a group show at Pulchri with nominee Sandra Thie and winner Paul Nassenstein. The article ‘Haarzelf’ was written by Klaske Havik for Pulchri magazine, December 2018.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"Title<\/figure>\n<\/div>\n\n\n\n
\n

In 2015 Lone Wolf magazine<\/a> featured the interview ‘The Silent Muse’ written by Natalia Borecka, photographed by Liselotte Fleur.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n


<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Featured in the Pre-Raphaelite Society Review, Summer 2024 issue is my research into a photograph of Jane Morris by Herbert Watkins I’ve unearthed from the archives. Three different versions are published together for the first time, from the collections of the Victoria and Albert Museum, the William Morris Gallery and the National Portrait Gallery. Visit […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-197","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.janemorrismuseum.com\/index.php\/wp-json\/wp\/v2\/pages\/197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.janemorrismuseum.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.janemorrismuseum.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.janemorrismuseum.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.janemorrismuseum.com\/index.php\/wp-json\/wp\/v2\/comments?post=197"}],"version-history":[{"count":76,"href":"https:\/\/www.janemorrismuseum.com\/index.php\/wp-json\/wp\/v2\/pages\/197\/revisions"}],"predecessor-version":[{"id":4869,"href":"https:\/\/www.janemorrismuseum.com\/index.php\/wp-json\/wp\/v2\/pages\/197\/revisions\/4869"}],"wp:attachment":[{"href":"https:\/\/www.janemorrismuseum.com\/index.php\/wp-json\/wp\/v2\/media?parent=197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}